raniaatef

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	<title>raniaatef</title>
	<link>https://raniaatef.com</link>
	<description>raniaatef</description>
	<pubDate>Wed, 15 Apr 2026 20:11:47 +0000</pubDate>
	<generator>https://raniaatef.com</generator>
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		<title>Front page</title>
				
		<link>https://raniaatef.com/Front-page</link>

		<pubDate>Sun, 27 Dec 2020 13:13:10 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

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		<title>Continuous Negotiations</title>
				
		<link>https://raniaatef.com/Continuous-Negotiations</link>

		<pubDate>Wed, 09 Apr 2025 11:40:29 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

		<guid isPermaLink="true">https://raniaatef.com/Continuous-Negotiations</guid>

		<description>Continuous Negotiations

An interactive sculpture made of wood.&#38;nbsp; 
Diameter: 130 cm 2025
&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/11ad6472f704c9c62dbef9d257fac94b4c3e84d4ce644387fc1e11de5adbad3d/_DSC4336.jpg" data-mid="229550064" border="0"  src="https://freight.cargo.site/w/1000/i/11ad6472f704c9c62dbef9d257fac94b4c3e84d4ce644387fc1e11de5adbad3d/_DSC4336.jpg" /&#62;
	Labouring For Love &#124; Solo Exhibition
Ard Art Institute
2025
Courtesy @ Rehab Eldalil


	An interactive wooden sculpture that embodies states of imbalance and negotiation, reflecting
the constant tension performed in both domestic labor and artistic labor. The work visualizes how these
forms of work - often invisible and intertwined - require ongoing adjustment, negotiation, and effort.


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Something Else Biennale
Curated by Mariana Sesma &#38;amp;Monica Hirano
Organized by Darb 1718
2026


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		<title>I Regret Too</title>
				
		<link>https://raniaatef.com/I-Regret-Too</link>

		<pubDate>Wed, 15 Apr 2026 20:11:47 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

		<guid isPermaLink="true">https://raniaatef.com/I-Regret-Too</guid>

		<description>I Regret Too!Text-Based Performance in collaboration with Halim Ramsis
At Medrar For Contemporary Art2025https://ltpk.info/Cairohttps://vimeo.com/1184443422/a9c5df588a?share=copy&#38;amp;fl=cl&#38;amp;fe=ci
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	For video&#38;nbsp; recording, you can visit the LTPK Event&#38;nbsp;
Cairo 2025

Excerpt of the text

Investigates يحقق

Focuses يركز

Engage يشتبك

Moves between يتنقل بين

Reflects يعكس

Searches يبحث

Navigates يتنقل

Portraits يصور

Attempts يحاول

Represents يمثل

Creates space بيخلق مساحة

Explores يكتشف

Frames يأطر 

Collectivity &#38;nbsp; اوكي

Collaborations ( &#38;nbsp; تعاونيات مثمرة أكيد) 

Locality (You mean exotic?)

Trajectories عشان نوصل لايه

Dialogue )بين مين و مين؟

Local context(s) Exotic once again

Possibilities مش شايفاها 

Learning مممممممم

Motivated كلمة بتضحك

Imagining realities (I am searching for a reality other than writing applications, can you offer one?) الحقيقة ان بدور على واقع تاني غير كتابة الابليكشنز

ماتعملي شغل بييع

Knowledge production (&#38;nbsp; بس المعرفة مش بتبيع But knowledge doesn't sell)

Alternative forms (بديلة لايه؟) 

Exchange (To match the fund criteria عشان نمشي مع معايير الفاند و شروطه)

Encounters (Sexy, it gives the impression of a well-educated artist بتدي انطباع انك فنان مثقف)

Challenges ( to retire?) أتقاعد؟ &#38;nbsp; 


	The text-based project highlights the language and behaviors within the art field that reflect the power dynamics between artists and institutions. The work is constructed through two overlapping voices: one representing the institution (articulated through the tone and structure of an open call), and the other capturing the inner voice of the artist during the application process.

This internal dialogue reveals the artist’s unspoken thoughts, often expressed with humor or subtle sarcasm, as a response to the expectations, tone, and implicit demands embedded in institutional communication. Through this dual narrative, the project draws attention to the larger framework in which resources are allocated, selections are made, and criteria are applied.

Ultimately, the work points toward a broader economic structure, interrogating how capitalism has shaped artistic labor in ways that mirror other problematic systems of resource distribution. It raises questions about the precarity, competition, and conditionality that define much of the art field today.

The project is presented bilingually (Arabic and English) by two artists, Rania Atef and Halim Ramsis.&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/43404aff41004ca22859f8ed920b9f52d0670185edf603e644b8cb89417584eb/B252C67D-4B7F-4273-A9E3-DDD51AA005E1.jpeg" data-mid="247255516" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/43404aff41004ca22859f8ed920b9f52d0670185edf603e644b8cb89417584eb/B252C67D-4B7F-4273-A9E3-DDD51AA005E1.jpeg" /&#62;


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		<title>Labouring For Love</title>
				
		<link>https://raniaatef.com/Labouring-For-Love-1</link>

		<pubDate>Tue, 14 Apr 2026 19:49:05 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

		<guid isPermaLink="true">https://raniaatef.com/Labouring-For-Love-1</guid>

		<description>Labouring For Love  بالحب
Solo Exhibition
Curated by Ahmed Hassan ShawkyInstallation, Photography, Soft Scultpures, Text, Video
ARD Art Institute2025

&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/2a893b712d1ddb076cac2967cc225120bd9a87c379bd37133382ece3f5e3cdf8/_DSC4502.jpg" data-mid="247204216" border="0"  src="https://freight.cargo.site/w/1000/i/2a893b712d1ddb076cac2967cc225120bd9a87c379bd37133382ece3f5e3cdf8/_DSC4502.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/5a5af82a655ea492c0dce4d7f544c3d60fc2cdf14b3aa39afd21956e59679928/_DSC5651.jpg" data-mid="247204226" border="0"  src="https://freight.cargo.site/w/1000/i/5a5af82a655ea492c0dce4d7f544c3d60fc2cdf14b3aa39afd21956e59679928/_DSC5651.jpg" /&#62;

	The Second Shift of a Ladybug

A found&#38;nbsp; photo, dimensions: 5.60 × 2.90 M.  

 
From a photographic series of the same name, 

2024
 
Full project is here.
	

&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/10b80b821194b4e06f55fe284bd90f8d99ab0a04299dd2bb1c7014c0cab6e741/_DSC4505.jpg" data-mid="247204235" border="0"  src="https://freight.cargo.site/w/1000/i/10b80b821194b4e06f55fe284bd90f8d99ab0a04299dd2bb1c7014c0cab6e741/_DSC4505.jpg" /&#62;
	What Is More of Eight Legs and Hands?

A soft textile sculpture, executed and developed in collaboration with textile designer Alaa Abo El Goud.  

2025


While Being an Octopus
A multi-channel performance video, presented in a continuous loop in HD.&#38;nbsp; 
Duration: (2:38 min / 2:20 min).&#38;nbsp;
 The full project (4 channel videos) is here.
2019.
&#38;nbsp;

	
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b24e235f8b9ac6e0d9a85fa7161407f326c5563e0a4a136766e3fb869686f591/_DSC5767.jpg" data-mid="247204227" border="0"  src="https://freight.cargo.site/w/1000/i/b24e235f8b9ac6e0d9a85fa7161407f326c5563e0a4a136766e3fb869686f591/_DSC5767.jpg" /&#62;
&#60;img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ba7bc118bf7a006bb2f521ec13f230a4d96d6ae227a577579ffcf33dd4e7ab92/_DSC5611.jpg" data-mid="247204224" border="0"  src="https://freight.cargo.site/w/1000/i/ba7bc118bf7a006bb2f521ec13f230a4d96d6ae227a577579ffcf33dd4e7ab92/_DSC5611.jpg" /&#62;
&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/76f6eb2c55c2507cb6b44e705fdd3518a4a43e161e10737b6fc1c469832e8933/_DSC5612.jpg" data-mid="247204230" border="0"  src="https://freight.cargo.site/w/1000/i/76f6eb2c55c2507cb6b44e705fdd3518a4a43e161e10737b6fc1c469832e8933/_DSC5612.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ad21d0e65a6f9504f6b0f3242cdf48dc31b47ab477bca902da18bb75de8a1ed6/Street2.jpg" data-mid="247204237" border="0"  src="https://freight.cargo.site/w/1000/i/ad21d0e65a6f9504f6b0f3242cdf48dc31b47ab477bca902da18bb75de8a1ed6/Street2.jpg" /&#62;
&#38;nbsp; &#38;nbsp; &#38;nbsp; 
	

Continuous NegotiationsAn interactive sculpture made of wood.&#38;nbsp; Diameter: 130 cm 2025


	&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/11ad6472f704c9c62dbef9d257fac94b4c3e84d4ce644387fc1e11de5adbad3d/_DSC4336.jpg" data-mid="247204219" border="0"  src="https://freight.cargo.site/w/1000/i/11ad6472f704c9c62dbef9d257fac94b4c3e84d4ce644387fc1e11de5adbad3d/_DSC4336.jpg" /&#62;

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"Laboring for Love" is the first solo exhibition by artist Rania Atef, part of an extended art project she has been working on for six years, focusing on the themes of motherhood and care. In this exhibition, Rania explores the complex relationship between artistic and domestic work, highlighting the intertwining of her roles as both a mother and an artist. Through this lens, daily practices transform into artworks that reflect the intersection of different, often invisible forms of labor.

The project reshapes the boundaries between the home and the gallery, bringing domestic practices into the exhibition space. It sheds light on the importance of recognizing everyday efforts that often remain outside public and institutional acknowledgment, whether in the artistic or social realm.

The exhibition also delves into the roles of caregiving and unpaid labor as acts driven by love, while simultaneously questioning the economic and caregiving systems that rely on this hidden effort for their sustenance. It examines the relationship between professionalism and hobbyism, as well as the tension between resisting caregiving roles and acknowledging their significance.

Rather than documenting a personal life, the exhibition offers a subjective perspective on the intersections of domestic and artistic labor,&#38;nbsp; It presents an experience where the two realms merge, urging us to reflect on the boundaries of the visible and invisible.. It may also serve as an attempt to commodify caregiving labor through artistic spaces, circumventing the larger economic system. The exhibition poses the question: Can artistic labor play this role while being subject to the economies of (in)visible labor?

The exhibition includes a parallel program featuring film screenings, readings, and discussions on labor and care, curated by art curator and researcher Ali Hussein Al-Adawy.


Video by Sanabel Badreldeen.


&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/0a5b751411178c299a1ebee4bc62d905c7479d450bd02e62876ce252d4f6d66f/_DSC4298.jpg" data-mid="247204222" border="0"  src="https://freight.cargo.site/w/1000/i/0a5b751411178c299a1ebee4bc62d905c7479d450bd02e62876ce252d4f6d66f/_DSC4298.jpg" /&#62;
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My Dear Home &#124; Subtitles from The Movie I loveSeven text excerpts from the film "Empire M" (10 × 15 cm). 2024


	Love is a Capitalist emtion.
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&#60;img width="2667" height="4000" width_o="2667" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c1060f5795393b4981bc03ba9a5aa20cda816a74f031976eb53c77505a0911fe/_DSC4277.jpg" data-mid="247204221" border="0"  src="https://freight.cargo.site/w/1000/i/c1060f5795393b4981bc03ba9a5aa20cda816a74f031976eb53c77505a0911fe/_DSC4277.jpg" /&#62;

	
Conversations in a Beehive
An installation featuring a dining table displaying ten notebooks showing texts and ink drawings. Along with a soundtrack.
2020
Full project is here.
	

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		<title>The second shift of a lady bug</title>
				
		<link>https://raniaatef.com/The-second-shift-of-a-lady-bug-1</link>

		<pubDate>Fri, 22 Jul 2022 12:27:21 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

		<guid isPermaLink="true">https://raniaatef.com/The-second-shift-of-a-lady-bug-1</guid>

		<description>The second shift of a ladybugPhoto series - found photos on mobileVariable dimensions2024&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
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	&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/87c46e94370bcd50e2865de4b893a135eb4a57c7ec930a504dd89425d4884c25/Shirt-Blanket-WhatsApp-Image-2025-10-04-at-13.28.34_b74453e9.jpg" data-mid="247256367" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/87c46e94370bcd50e2865de4b893a135eb4a57c7ec930a504dd89425d4884c25/Shirt-Blanket-WhatsApp-Image-2025-10-04-at-13.28.34_b74453e9.jpg" /&#62;

	
The Second Shift of a Ladybug delves into the dual function of the home- as a space of both care and labor. For artist-caregivers like myself, the domestic space becomes a studio, workplace, and caregiving site all at once. In this work, I use found photographs from my mobile archive, pictures taken by my children, often while I’m unaware. These images capture me mid-task: cooking, cleaning, creating art, or juggling all three. The children often take multiple shots, resulting in a series of nearly identical images with slight variations in gesture, movement, or focus. I present these as visual narratives that expose the blurred boundaries between care and creative labor—moments suspended between intention and interruption.

 
Courtesy @ mykids (Alia and Hassan)


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&#38;nbsp; &#38;nbsp; Photo Series 1

&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/29c37b42cacc6679e6039c20eb16c0388331257989d4309e0985c4d8e6f6474e/IMG_4189.jpeg" data-mid="223378085" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/29c37b42cacc6679e6039c20eb16c0388331257989d4309e0985c4d8e6f6474e/IMG_4189.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/f1c419b124a4d4cae16c8826f29562e55908d5aa62203ffcbbf5180790507ba6/IMG_4192.jpeg" data-mid="223378086" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/f1c419b124a4d4cae16c8826f29562e55908d5aa62203ffcbbf5180790507ba6/IMG_4192.jpeg" /&#62; &#38;nbsp;&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/cbba99e09bcf9b0039d2fbf46bf8a20d745316d6d8a5914641b20978cf665406/IMG_4193.jpeg" data-mid="223378087" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/cbba99e09bcf9b0039d2fbf46bf8a20d745316d6d8a5914641b20978cf665406/IMG_4193.jpeg" /&#62; &#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/88017cc0484e5aebb4e4b67d7d6d373e47a629c7e71601f5611690432302b4ed/IMG_4194.jpeg" data-mid="223378088" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/88017cc0484e5aebb4e4b67d7d6d373e47a629c7e71601f5611690432302b4ed/IMG_4194.jpeg" /&#62;&#38;nbsp;&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/e9eba99037c916e925da2f213d91f6b3355d703fa6e9df1fbe9b9ea4742daab0/IMG_4196.jpeg" data-mid="223378090" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/e9eba99037c916e925da2f213d91f6b3355d703fa6e9df1fbe9b9ea4742daab0/IMG_4196.jpeg" /&#62; &#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/fd6d91947d4c658b3d4b3f2987d555b01f813d2e22e676a7c897f7798b3011d8/IMG_4198.jpeg" data-mid="223378091" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/fd6d91947d4c658b3d4b3f2987d555b01f813d2e22e676a7c897f7798b3011d8/IMG_4198.jpeg" /&#62;&#38;nbsp;&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b3b6519087e2873623d24ac62e2c5ce31665a86baf72aa0be8e16582566c4768/IMG_4202.jpeg" data-mid="223378092" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/b3b6519087e2873623d24ac62e2c5ce31665a86baf72aa0be8e16582566c4768/IMG_4202.jpeg" /&#62;&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/05976ca32c009ca6a0acbec75c3c8896102b63fc7e2f618159a3b8ce6cc7fc96/IMG_4195.jpeg" data-mid="223378089" border="0" data-scale="12" src="https://freight.cargo.site/w/1000/i/05976ca32c009ca6a0acbec75c3c8896102b63fc7e2f618159a3b8ce6cc7fc96/IMG_4195.jpeg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Photo Series 2&#38;nbsp; &#38;nbsp; &#38;nbsp; 
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	<item>
		<title>I don't know how my daughter can bear my ugly singing voice</title>
				
		<link>https://raniaatef.com/I-don-t-know-how-my-daughter-can-bear-my-ugly-singing-voice</link>

		<pubDate>Fri, 11 Apr 2025 13:49:55 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

		<guid isPermaLink="true">https://raniaatef.com/I-don-t-know-how-my-daughter-can-bear-my-ugly-singing-voice</guid>

		<description>How Can My Daughter Bear My Ugly Singing Voice!
Lecture performance2023Ongoing
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&#60;img width="2247" height="2881" width_o="2247" height_o="2881" data-src="https://freight.cargo.site/t/original/i/dbf3b0ce7b7378c89c39a838ef2e7811bc8e55a918b268bb59f039e0404ab20d/IMG_3695.jpeg" data-mid="229664811" border="0"  src="https://freight.cargo.site/w/1000/i/dbf3b0ce7b7378c89c39a838ef2e7811bc8e55a918b268bb59f039e0404ab20d/IMG_3695.jpeg" /&#62;
&#60;img width="2183" height="2813" width_o="2183" height_o="2813" data-src="https://freight.cargo.site/t/original/i/9e4848d29940a992bcd0cd1f93f232b870a4c8731063a5a53c88d0668c6356dd/IMG_3696.jpeg" data-mid="229664812" border="0"  src="https://freight.cargo.site/w/1000/i/9e4848d29940a992bcd0cd1f93f232b870a4c8731063a5a53c88d0668c6356dd/IMG_3696.jpeg" /&#62;


&#60;img width="864" height="482" width_o="864" height_o="482" data-src="https://freight.cargo.site/t/original/i/794d370b26a47890e3512763a0981949ac3fe0053bbfa920bc8955f56c0bca45/Mrs-Hanaa.jpg" data-mid="229664814" border="0" data-scale="49" src="https://freight.cargo.site/w/864/i/794d370b26a47890e3512763a0981949ac3fe0053bbfa920bc8955f56c0bca45/Mrs-Hanaa.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>BAD MOTHER</title>
				
		<link>https://raniaatef.com/BAD-MOTHER</link>

		<pubDate>Sun, 15 Dec 2024 10:22:25 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

		<guid isPermaLink="true">https://raniaatef.com/BAD-MOTHER</guid>

		<description>BAD MOTHERGame (in collaboration with Engy Mohsen)Text2022https://engymohsen.com/Bad-Mother-Rania-Atef
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="724" height="1024" width_o="724" height_o="1024" data-src="https://freight.cargo.site/t/original/i/f3b339a79cb3fbdd4d9cecaa2253942f0355d359dd7a5c94658864dd2f12a964/BM---Intro1024_1.jpg" data-mid="223378074" border="0" data-scale="24" src="https://freight.cargo.site/w/724/i/f3b339a79cb3fbdd4d9cecaa2253942f0355d359dd7a5c94658864dd2f12a964/BM---Intro1024_1.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="720" height="501" width_o="720" height_o="501" data-src="https://freight.cargo.site/t/original/i/ca75a91e3a1b8c84f935b84eafc1dd0ca643ca4bb4b0e405e5a7102af35f69b7/BM---Intro1024_2.jpg" data-mid="223378075" border="0" data-scale="39" src="https://freight.cargo.site/w/720/i/ca75a91e3a1b8c84f935b84eafc1dd0ca643ca4bb4b0e405e5a7102af35f69b7/BM---Intro1024_2.jpg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2480" height="1717" width_o="2480" height_o="1717" data-src="https://freight.cargo.site/t/original/i/08e4c8e0daa97eb2fb171e17d3ede9823c9f9fc1261974293e46dd13cb603026/inst2---Copy.jpg" data-mid="223378081" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/08e4c8e0daa97eb2fb171e17d3ede9823c9f9fc1261974293e46dd13cb603026/inst2---Copy.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="723" height="511" width_o="723" height_o="511" data-src="https://freight.cargo.site/t/original/i/d08788b8299d783cb62f27e74b058fd1b762bc15e30e9e7f184b235f17a93ae2/BM---Intro3.jpg" data-mid="223378073" border="0" data-scale="39" src="https://freight.cargo.site/w/723/i/d08788b8299d783cb62f27e74b058fd1b762bc15e30e9e7f184b235f17a93ae2/BM---Intro3.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;


&#60;img width="1145" height="1645" width_o="1145" height_o="1645" data-src="https://freight.cargo.site/t/original/i/2600e5a71ea3bbb32e4dd247b402625e57eed5a2920764a805852d5a47425c48/BM---Scoresheet-1---Copy.jpg" data-mid="223378080" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/2600e5a71ea3bbb32e4dd247b402625e57eed5a2920764a805852d5a47425c48/BM---Scoresheet-1---Copy.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="804" height="1126" width_o="804" height_o="1126" data-src="https://freight.cargo.site/t/original/i/68a9d902197390c8fe277558c6556eeefa01efeb833fc8c0d31bb435f95937d8/BM---Results1.jpg" data-mid="223378079" border="0" data-scale="22" src="https://freight.cargo.site/w/804/i/68a9d902197390c8fe277558c6556eeefa01efeb833fc8c0d31bb435f95937d8/BM---Results1.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="805" height="1141" width_o="805" height_o="1141" data-src="https://freight.cargo.site/t/original/i/84e2905d422f887803a6e391fffbeaf4bc7d51731e7f7ff066fa87528801bb7e/BM---Results-2.jpg" data-mid="223378076" border="0" data-scale="20" src="https://freight.cargo.site/w/805/i/84e2905d422f887803a6e391fffbeaf4bc7d51731e7f7ff066fa87528801bb7e/BM---Results-2.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="782" height="1143" width_o="782" height_o="1143" data-src="https://freight.cargo.site/t/original/i/7a3a2a1bd675e592b6a49be99ff4b11dcf3ac8d99836e403aa73a34524d1467e/BM---Results-3.jpg" data-mid="223378077" border="0" data-scale="18" src="https://freight.cargo.site/w/782/i/7a3a2a1bd675e592b6a49be99ff4b11dcf3ac8d99836e403aa73a34524d1467e/BM---Results-3.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="802" height="1138" width_o="802" height_o="1138" data-src="https://freight.cargo.site/t/original/i/fe3ceee3c3c4c95464bc290fc51c4d1663c35e581f9af9a3316a6af9628e2685/BM---Results-4.jpg" data-mid="223378078" border="0" data-scale="17" src="https://freight.cargo.site/w/802/i/fe3ceee3c3c4c95464bc290fc51c4d1663c35e581f9af9a3316a6af9628e2685/BM---Results-4.jpg" /&#62;&#38;nbsp; &#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Please, Don't look at the moon!</title>
				
		<link>https://raniaatef.com/Please-Don-t-look-at-the-moon</link>

		<pubDate>Tue, 19 Jan 2021 13:01:11 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

		<guid isPermaLink="true">https://raniaatef.com/Please-Don-t-look-at-the-moon</guid>

		<description>
	Please, Don’t look at the moon!&#38;nbsp;
Installation&#38;nbsp;
Sound, paper cuts, metal, threads, archival material
2021
Ongoing
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Produced with the support of Warehouse421 and the French Institute in Alexandria.
&#38;nbsp;Rania Atef · Please Dont Look At The Moon&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/24fbc0346ba319420df4c130f279b212c5df6f54dba0c9abaaa9b0fe0fd953b0/DSC_0183.JPG" data-mid="118683035" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/24fbc0346ba319420df4c130f279b212c5df6f54dba0c9abaaa9b0fe0fd953b0/DSC_0183.JPG" /&#62;

	&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/cc2d1f01c39e0604ecc91f6ee3bba11aba04ade7366cfb3ebded0877c08a8d93/IMG_3073.JPEG" data-mid="118681883" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/cc2d1f01c39e0604ecc91f6ee3bba11aba04ade7366cfb3ebded0877c08a8d93/IMG_3073.JPEG" /&#62;


Please, Don’t Look At The Moon is an anthology of drawings, songs, texts, and archival findings that 

culminates in more than a form; a text, sound installation, and a publication .The project focuses on the audio, verbal and visual culture that discusses issues related to women, children, society, and their interconnectedness. These invisible utterances circulate within contexts of knowledge dissemination like homes, schools, museums. The project, therefore, questions how these archives can subconsciously deepen beliefs and control behavior towards issues like gender, power, hierarchies, violence, authority, power, racism, etc. It focuses on collaboration with women sharing their own local archives.


The project focuses on the invisible and indirect common knowledge passed within the framework of popular culture -specially tailored to women and children. Hence, I want to keep looking into the aesthetics of utterance found in these spaces which stems up from folkloric and popular proverbs that are found in myths, legends, stories, toys, and songs. The project’s point of entry is shedding light on how these archives can subconsciously deepen beliefs and control our collective behavior towards issues like gender, power, hierarchies, violence, authority, power, racism, etc. These archives- that are strongly rooted -&#38;nbsp; hold a catalog of explanations that shows how these utterances reflect on our behavior and attitude towards political and social stances. 

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="7908" height="3910" width_o="7908" height_o="3910" data-src="https://freight.cargo.site/t/original/i/752cc71e1395785da7e7a707163fae9320ba334cc18b85f76205bf00a389cc9d/IMG-2792.jpg" data-mid="123196287" border="0"  src="https://freight.cargo.site/w/1000/i/752cc71e1395785da7e7a707163fae9320ba334cc18b85f76205bf00a389cc9d/IMG-2792.jpg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Installation shots &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


</description>
		
	</item>
		
		
	<item>
		<title>Conversations in a Beehive </title>
				
		<link>https://raniaatef.com/Conversations-in-a-Beehive</link>

		<pubDate>Mon, 28 Dec 2020 22:07:57 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

		<guid isPermaLink="true">https://raniaatef.com/Conversations-in-a-Beehive</guid>

		<description>Conversations in a Beehive

Diaries books
Text and ink on paper
14*10 cm/ 14*21 cm
2020


	Commissioned by Khalil Sakakini Cultural Center


  in Ramallah


as part of "Artist At Work" exhibition which can be viewed here&#38;nbsp;


&#60;img width="7013" height="4934" width_o="7013" height_o="4934" data-src="https://freight.cargo.site/t/original/i/04c53e3a66fb109a3532242d8d92d4bbc332f8e81f2536776f7455f50637aa8f/III-LS.jpg" data-mid="93297599" border="0"  src="https://freight.cargo.site/w/1000/i/04c53e3a66fb109a3532242d8d92d4bbc332f8e81f2536776f7455f50637aa8f/III-LS.jpg" /&#62;
&#60;img width="5032" height="3410" width_o="5032" height_o="3410" data-src="https://freight.cargo.site/t/original/i/f8f17b6d5564a895c6ec4e315a5c919a35d1189ae28193e0896f3f10cf3e6405/CCC-LS.jpg" data-mid="93297593" border="0"  src="https://freight.cargo.site/w/1000/i/f8f17b6d5564a895c6ec4e315a5c919a35d1189ae28193e0896f3f10cf3e6405/CCC-LS.jpg" /&#62;
&#60;img width="6967" height="4832" width_o="6967" height_o="4832" data-src="https://freight.cargo.site/t/original/i/e689bcad059a4ba0bf071b3c837351863427df722c9aa6d6082b459b540bacf2/AAA--LS.jpg" data-mid="93297591" border="0"  src="https://freight.cargo.site/w/1000/i/e689bcad059a4ba0bf071b3c837351863427df722c9aa6d6082b459b540bacf2/AAA--LS.jpg" /&#62;
&#60;img width="6697" height="4973" width_o="6697" height_o="4973" data-src="https://freight.cargo.site/t/original/i/bac1aa758d7aee4159e98b5040d55b88e8a754b0a49a457d30c756b0c8d1a9b6/EEE-LS.jpg" data-mid="93297595" border="0"  src="https://freight.cargo.site/w/1000/i/bac1aa758d7aee4159e98b5040d55b88e8a754b0a49a457d30c756b0c8d1a9b6/EEE-LS.jpg" /&#62;
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	Conversations in a Beehive&#38;nbsp;

is a project interested in the status of domestic labor that exists as invisible, unpaid, and unequally distributed work within household structures. It approaches the discourse around the social perception of domestic work and the recognition of domestic spaces as sites of labor. Not only does one exert considerable amounts of physical effort on a daily basis but it also extends to include substantial mental and emotional effort/drill. Both of which consume a lot of time and energy affecting the productivity of women.The research takes the working middle-class family as a case study to position the domestic establishment within the wider economic context that is constituted by capitalism. The structure, dynamics, and roles of the family members act as the key aspects in shaping the project. While the artist questions the definition of ‘labor ’if it is known as how much time is worth and can be compensated by money, then how it is being spent and valued in the context of domestic chores and the art field.The project takes the diaries of a mother artist as a starting point. It includes to-do lists, sketches, dialogues, and conversations between family members, friends and relatives even with her child which reflects a collective learning methodology of bottom-up-knowledge. Through writing personal texts as diary entries that are based on actual conversations, discussing the value and position of different members of the family through different approaches and perspectives.


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	<item>
		<title>Not only Ostriches bury their heads in sand</title>
				
		<link>https://raniaatef.com/Not-only-Ostriches-bury-their-heads-in-sand</link>

		<pubDate>Sun, 27 Dec 2020 13:13:08 +0000</pubDate>

		<dc:creator>raniaatef</dc:creator>

		<guid isPermaLink="true">https://raniaatef.com/Not-only-Ostriches-bury-their-heads-in-sand</guid>

		<description>Not only Ostriches bury their heads in sand


Sculpture / Public Art
(18) sculptures

2019


	&#38;nbsp;

Commissioned by The National Gallery of Fine Arts in Amman.


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“Not only Ostriches bury their heads in sand” Investigates the rapid development of information technology and the large availability of such a large number of ports and inputs, the existence of new territories of Data and information that has been arising the past few years, not only threatening geographical borders and political powers but it increases the level of insecurities and pressure, thus it forms new behavior and attitude among different social levels.

The project questions the human behavior towards this development and the speed of circulated amount of information and news via satellites, the Internet and social media, and on the other hand, it looks at the relationship of different educational frameworks, whether (un)formal education or others with this change as a source of knowledge.

The project acts as a reflection of the feeling of being stuck and overwhelmed with stress, tons of information, and massive input we are being exposed to nowadays, which leads to disconnection, Isolation, and the desire to disappear.


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